Attractions and Places To See around Abthorpe - Top 20

Situated about 330 ft (100 m) to the east of the Corinthian Arch, the inn was built in 1717 specifically to provide accommodation for visitors to the gardens. It was expanded and rebuilt in several phases. The inn housed a small brewery, a farm and dairy. It closed in the 1850s, then being used as a farm, smithy and kennels for deer hounds. The building was purchased in a ruinous condition by the National Trust in 2005. In 2010 work started on converting it into the new visitor centre, and since 2011 this has been the entrance for visitors to the gardens.[49] Visitors had formerly used the Oxford Gates. The New Inn is linked by the Bell Gate Drive to the Bell Gate next to the eastern Lake Pavilion, so called because visitors used to have to ring the bell by the gate to gain admittance to the property. Source: Wikipedia

The Temple of Ancient Virtue is a circular peripteral ionic temple with a domed cella on a podium, approached by two flights of steps. The Temple of Ancient Virtue is a circular peripteral ionic temple with a domed cella on a podium, approached by two flights of steps. Built in the 1730's to a design probably by Kent. The design is inspired by the Temple of Sibyl at Tivoli. Copies of the original four statues of greek heroes representing the enlightened ideals of Lord Cobham and his Whig friends have been reintroduced. Although now largely obscured from the west, the Temple of Ancient Virtue, completed in 1737 to Kent’s designs, was intended to close the long vista known as the Great Cross Walk which passed at a slight angle across the south front of the house. This arrangement followed Joseph Addison’s vision of a ‘great road’ along which ‘the middle-aged party of mankind ... marched behind the standard of Ambition’. The temple was raised on a grass mound, and its site was far more open than it is now. The design was based on the ancient Temple of Vesta at Tivoli, which Kent knew at first hand from his extended sojourn in Italy in the 1710s, and from Book IV of Palladio’s Quattro Libri, here translated from the Corinthian to the Ionic order. The temple is inscribed on the outside ‘Priscae virtuti’ (‘To Ancient Virtue’) and was devised as a cenotaph to four Ancient Greeks who embodied the virtues that Lord Cobham found so lacking in the public figures of his own day: Socrates, Homer, Lycurgus and Epaminondas. The circular temple form has a solemnity and nobility well suited to memorial buildings, from Hawksmoor’s great mausoleum at Castle Howard (1729) to John Russell Pope’s Jefferson Memorial in Washington (1939). Bordered by laurel and elevated both by the grass mount and its own basement, with narrow stairs cut into it, this is an overtly exclusive building worthy only of a select few. The four Ancient Greeks are represented by life-size Portland stone statues signed by Peter Scheemakers, and for which he was paid in 1737. These were sold in 1921, but have recently been replaced in the form of casts taken from the originals. The chosen individuals represent four of the five branches of public life referred to in Addison’s essay – a general (Epaminondas), a legislator (Lycurgus), a poet (Homer) and a philosopher (Socrates). Above the niches are the following inscriptions (with translations taken from Defoe and Richardson’s Tour of 1742): I. EPAMINONDAS Cujus a virtute, prudentia, verecundia, Thebanorum respublica Libertatem simul & imperium, Disciplinam bellicam, civilem & domesticam, Accepit; Eoque amisso, perdidit. From whose Valour, Prudence, and Moderation, the Republick of Thebes received both Liberty and Empire, its military, civil, and domestick Discipline; and, with him, lost them. II. LYCURGUS Qui summo cum consilio, inventis legibus, Omnemque contra corruptelam munitis optime, Pater patriae, Libertatem firmissimam, Et mores sanctissimos, Expulsa cum divitiis, avaritia, luxuria, libidine, In multa secula Civibus suis instituit. Who having invented Laws with the greatest Wisdom, and most excellently fenced them against all Corruption, as a Father of his Country, instituted for his Countrymen the firmest Liberty, and the soundest Morality, which endured for many Ages, he having, together with Riches, banished Avarice, Luxury, and Lust. III. SOCRATES Qui corruptissima in civitate innocens, Bonorum hortator, unici cultor DEI, Ab inutili otio, & vanis disputationibus, Ad officia vitae, & societatis commoda, Philosophiam avocavit, Hominum sapientissimus. Who being innocent in a most corrupt State, an Encourager of the Good, a Worshipper of One only god, as the wisest of Men, reduced Philosophy from useless Indolence, and vain Disputations, to the Duties of Life, and the Advantages of Society. IV. HOMERUS Qui poetarum princeps, idem & maximus, Virtutis praeco, & immortalitatis largitor, Divino carmine, Ad pulcre audendum, & patiendum fortiter, Omnibus notus gentibus, omnes incitat. Who being the First of Poets, as he was the greatest, the Herald of Virtue, and Bestower of Immortality, known to all Nations, incites all, in a Divine Poem, honourably to dare, and resolutely to suffer. The inscriptions placed above the doorways invite the visitor to reflect on the qualities represented by these four men, but also on their counterparts and opposites in modern life, as represented by neighbouring buildings on which the doorways were aligned: Charum esse civem, bene de republica mereri, laudari, coli, diligi, gloriosum est: metui vero, & in odio esse, invidiosum, detestabile, imbecillum, caducum. To be dear to our Country, to deserve well of the State, to be praised, honoured, and beloved, is glorious; but to be dreaded, and hated, is a matter of Ill-will, detestable, weak, ruinous. Justitiam cole & pietatem, quae cum sit magna in parentibus & propinquis, tum in patria maxima est. Ea vita est in coelum, & in huc coetum eorum, qui jam vixerunt. Maintain Justice, and thy relative Duty; which, as it is great, when exercised toward our Parents and Kindred, so is greatest towards our Country. That life is the Way of Heaven, and to this Assembly of those, who have already lived. (MOLA survey 2019 Clearly visible in the SUA data and is situated on top of a well defined mound overlooking Worthy River to the east. Source: nationaltrust.org.uk

From here it is not far to the Palladian Bridge.

Great to walk around looks very impressive

"A tranquil Tudor manor house set in rare terraced gardens, with the 'antient' Dryden family at its heart Built by the Drydens using the remains of a medieval priory, the house and gardens have survived largely unaltered since 1710 and are presented as they were during the Victorian era. The warm, welcoming house features grand rooms, stunning tapestries and Jacobean plasterwork, contrasting with the domestic detail of the servants' quarters. Stroll in the historic parkland and catch glimpses of early medieval landscapes, while a wander through the priory church reveals the story of the canons of Canons Ashby." Cit. https://www.nationaltrust.org.uk/canons-ashby#Overview

All the virtues are there

Designed by William Kent in 1734, this monument is a peristyle rotunda, patterned after the Temple of Vesta at Tivoli but using the Ionic order rather than the Corinthian. The Guide to the Gardens suggests that Kent may have also had in mind an English model -- Nicholas Hawksmoor's Mausoleum at Castle Howard in North Yorkshire. http://faculty.bsc.edu/jtatter/ancient.html

The Survey reports that building on the Temple of Friendship was begun as early as 1737, assuming that work listed in accounts for that year on a Temple of Diana set on Diana's Bastion refers to the Temple of Friendship. The building was designed by James Gibbs, who was responsible for most of the buildings in Hawkwell Field and who was called back to Stowe as architectural designer after William Kent left around 1736. Gibbs' final design, as reported by Bevington, was for a central room flanked on the east and west by two loggias. The building is fronted by a Tuscan portico, and in 1772-74 the core and roof of the building were heightened, perhaps to match the growth of the surrounding trees, but certainly to provide a larger silhouette to catch the eye from other viewpoints in the field. Inscribed on the exterior of the building is AMICITIAE S (sacred to friendship), and inside were placed busts in white marble of Lord Cobham and nine of his friends: Earl Bathurst, the Earl of Chatham, the Earl of Chesterfield, Earl Gower, the Earl of Marchmont, Earl Temple, the Earl of Westmoreland, Lord Lyttleton, and Frederick, Prince of Wales. (Three of these men were Cobham's nephews: his heir Richard Grenville, later Earl Temple; William Pitt, later Earl of Chatham; and Sir George Lyttelton.) On the ceiling was a painting of Britannia surrounded by other figures, one of which held a label with the words "The Reign of King Edward III," another of which held a scroll with the words "The Reign of Queen Elizabeth," and a third holding a scroll with the incomplete title "The Reign of ------" which was covered by Britannia's mantle and which she seemed unwilling to look at. Views from the portico include the Temple of Ancient Virtue in the Elysian fields to the northwest, the Queen's Temple at the far end of Hawkwell Field, and Lord Cobham's Monument, the Gothic Temple, and the Palladian Bridge along the east side. From the windows in the rear of the central room the Corinthian Arch can be seen, and at a time before the view was obscured by planting, the Temple of Venus could be seen on Kent's Bastion to the west. A fire in the early nineteenth century rendered the building an empty shell, and parts of it in danger of falling were demolished in 1884. Today the Temple has the feeling of a romantic ruin. http://faculty.bsc.edu/jtatter/friends.html