Attractions and Places To See around Pianello Val Tidone - Top 20

The Piccolo Stelvio of Oltrepò Pavese is a spectacular road full of hairpin bends that climbs from Lake Trebecco to the Pometo ridge. Where it is located: In Oltrepò Pavese, between the Val Tidone and the Nizza stream valley. [ 4 kilometers of ascent with about 20 hairpin bends in rapid succession and a difference in altitude of 250 meters.

very scenic and fun road near Lake Trebecco

Beautiful ride between the provinces of PV and PC to do not immediately after a day of rain, terrain in parts clay and muddy. At km. 6.40 take the low variant because the one that gives the track is impassable.

enchanting place on a splendid panorama, there are on the crest of the rock some tanks with newts, unique animals

The Castle was first mentioned in a document from 1001. On this occasion, Bishop Sigifredo granted the Benedictine monks of San Savino (Piacenza) some land, including the area of the Castle. The building has a trapezoidal plan and has four circular towers. The first of the four towers dates back to around the year 1000, which only later became four. The Castle was often the scene of clashes and battles. In 1212, the Guelphs of Piacenza took refuge there, threatened by the Ghibellines of Visconti, but they were worsted because they were defeated later in two battles. In the fourteenth century, the Castle was inhabited by Gabriello Boccapiccina, then it passed to the Chiapponi family. When the Chiapponi family died out, in the eighteenth century they were replaced by the Scotti di San Giorgio, who profoundly adapted the building, transforming it into a stately home. At the beginning of the twentieth century, the Castle belonged for a short period to the Lombardi of Genoa; it was then sold to Eng. Giuseppe Manfredi, who had it restored by Prof. Camillo Guidotti. From 1930 to 1987, the building was owned by the Ursuline Mothers of Piacenza. Today, the Castle is used by the current owner as a venue for private events.

The oratory is beautiful

The Castle of Rezzanello appears mentioned for the first time in a document from 1001. On this occasion Bishop Sigifredo granted some land to the Benedictine monks of San Savino, including the Castle area. The castle has a trapezoidal plan with four towers that stand out from the corners and a large internal courtyard. The turrets have a round base, are elegantly slender and crowned by a projection supported by arches and covered by a conical roof. The same type of arches in double order creates a decorative motif in the attic. To adapt it to housing needs, numerous large windows were opened, regularly distributed on all the facades. Located in the center of a valley, it is surrounded by a splendid seven-hectare park with centuries-old plants, a fountain and streams. At the beginning of the twentieth century, the castle was transformed into a stately home. The new owner, Eng. Giuseppe Manfredi entrusted the intervention to the architect Camillo Guidotti who conducted it according to the late-romantic criteria then in vogue, altering the original design.

The Borgonuovo oppidum was founded in 1196 by the Municipality of Piacenza to defend the western border of its territories, equipped with a fortress, towers and city walls with an escarpment and fortified entrances. In the current complex, built entirely of bricks, the fortress and the receptacle can clearly be distinguished. These buildings together with the church and the pilgrims' hospital once formed the village of Calendasco. The body of the fortress has typical elements of fourteenth-century Po Valley castles, such as the sawtooth motif combined with the crowning of small windows with segmental arches. The deep moat, the entrance, once equipped with a drawbridge as can be seen from the recesses of the ravelin, and the pusterla, or small door, with drawbridge access are still visible. To the south is a semicircular tower much higher than the rest of the building; the north-east wing, equipped with a scarp and with a rustic appearance and lack of homogeneity, dates back to a later period. The entrance hall, covered by a cross vault decorated with sixteenth-century frescoes, leads into the courtyard where a portico with three arches is visible. The receptacle, a rustic body with small arched windows and a decorative sawtooth motif, is outside the moat, near the bridge-beater.