Attractions and Places To See around powiat prudnicki - Top 15

Żabie Oczko Pond is a former quarry, flooded by rainwater, likely dating back to 1869. Above the quarry stands a monument to Joseph von Eichendorff, a great poet of the Romantic era, considered by many to be the German equivalent of Adam Mickiewicz. He frequently visited this area, and a monument to him was erected here in 1911.

The facility is not open to visitors, it is a pity that the State is not able to take care of it and it is slowly falling into ruin.

The Sanctuary of St. Joseph in Prudnik-Las is a unique place combining history, spirituality, and the beauty of nature. Situated on the edge of the Prudnik Forest, surrounded by greenery, it forms part of the Franciscan monastery complex. St. Joseph's Church was built in 1866 and is a destination for numerous pilgrimages. A particularly important period in the sanctuary's history was the years 1954–1955, when the interned Primate of Poland, Cardinal Stefan Wyszyński, was imprisoned here. Today, visitors can see the cell where he was imprisoned and learn about its history.

The Baroque sculpture of St. John of Nepomuk was created in the second half of the 19th century, in a local Silesian workshop. The year of its creation dates back to 1867. The monument is located on the Biała market square. The whole was made of two types of stone: sandstone and granite. The monument consists of two parts - a pedestal and a full-plastic sculpture of the Saint. The height of the object is about 4.5 m, while the figure itself is 190 cm high, 90 cm wide, 65 cm deep. Granite was also used to make the structural elements of the ground floor, i.e. the profiles of the steps and the cuboid base under the figure of the Saint. The architectural pedestal of the over-life-size sculpture of St. John of Nepomuk was made of sandstone. The individual stone blocks of the pedestal were connected with each other with lime-sand mortar. The figure of the Saint was carved in a large-sized sandstone monopole, as mentioned earlier. A simple pedestal, framed by volutes. The figure of St. John of Nepomuk is shown on a contrapposto, deeply modeled robes introduce the sculpture into a dancing movement. Wide shoulders. The saint stands on a pedestal. The figure is dressed in liturgical attire – a cassock, surplice and a cape reaching the knees. In the lower part, the cassock adheres to the legs, the left leg bent at the knee is clearly visible. A biretta on the head. The head is tilted towards the left shoulder. The face of a youth, temples surrounded by hair. In his hand, the saint holds a cross – a symbol of martyrdom. The representation is consistent with the iconography popularized in numerous sculptures found in Silesia, the Czech Republic, Moravia and Lesser Poland.

It is a baroque figure from 1865. The figure of the Immaculate Conception of the Blessed Virgin Mary shows Mary with her hands folded in prayer. She has neither a crown nor a characteristic scarf on her head, only a wreath of twelve stars - such a representation was popular after the announcement of the dogma of the Immaculate Conception of the Blessed Virgin Mary by Pope Pius IX. She stands on the globe, trampling with one foot a snake - a symbol of Satan, known from the biblical Book of Genesis. This is a direct reference to the vision of the Woman from the Apocalypse of St. John. On the pedestal of the figure there is an inscription-call in German, addressed to Mary: ,,O Maria ohne Erbsiinde empfangen, Mutter des Weltheilandes, bitte fur uns I 1865", which can be translated: ,,Mary, conceived without original sin, Mother of the Savior of the world, pray for us! 1865.

It is a temple built after a fire in 1544 as a brick one. The church was built in the Gothic style and is oriented, under the presbytery there is a burial crypt. It contains tombstones: Paweł Kozłowski (1595) - starost of Biała Podlaska and an unknown woman (around 1600). The building has three naves and has a chapel of St. John of Nepomuk, where you can see frescoes from the 16th century. The presbytery and side naves are covered with a barrel-cross vault. The main nave has two bays and represents the Gothic style. Under the choir there is a hand-forged grille made in 1631 and a figure of Christ the Sorrowful. The main altar represents the Rococo style and was created in 1773. The side altars represent the Baroque style and were created in 1700. At the pillar between the naves there is a painting of Our Lady of Częstochowa placed in a metal dress, extruded in the 18th century. The church tower in the lower storeys has a square plan, in the upper storeys it has an octagonal plan. The external walls are covered with sgraffito decoration in the form of diamond rustication created in the 16th century.

In Biała, two crosses stand to this day, the third comes from Frącki (a hamlet of Pogórze), but is currently located on private property in Brzeźnica. Penitential crosses are "relics of medieval law". Each of these objects has its own interesting history documented in court records or passed down in folk legends. At the turn of the 13th and 14th centuries, judicial law was introduced, among other places, in Silesia. Earlier, the principle was simple: for the victim's death, the killer paid with their life. The new law led to a detailed examination of the causes of murder, e.g., acting in a fit of passion was taken into account. This allowed some perpetrators to avoid the death penalty and reach an agreement with the victim's family, the so-called "penitential treaty". The perpetrator had to fulfill many obligations set by the court and the family. Basic ones included, among others: covering the costs of the victim's funeral, supporting the deceased's children until they came of age, transferring a specified sum of money to the family, ordering and paying for a specified number of memorial masses, undertaking a pedestrian pilgrimage to the then places of religious worship, e.g., Jerusalem, Rome, Aachen, or later Częstochowa and St. Anne's Mount. One of the perpetrator's most important obligations was to personally or commission the creation of a penitential cross from stone and its erection at the scene of the crime. The crosses were made of stone characteristic of the given area (sandstone, conglomerate, limestone, or granite). The height ranged from 30 to 250 cm, the width from 30 to 120 cm, the thickness from 9 to 60 cm. The Biała crosses are among the oldest preserved in the Opolszczyzna region. One: by the south wall of the castle has a shape similar to a clover leaf; with dimensions of 97 cm (height), 20 cm (thickness), 33 cm (arm span). It is carved in granite, belongs to the group of the oldest, which is why time has blurred the image of the murder weapon. An interesting story is associated with its origin and discovery. It was the only "missing" cross in the inventory of these objects in the Prudnik region. It was only known that it should be somewhere on the Biała-Wasiłowice-Śmicz route. In 1976, after six days of searching, Komarnicki with a group of Biała high school students found the stone cross. It lay in a roadside ditch about 400m from the town limits. It was covered with earth and barely visible. Komarnicki decided to move the cross to a safer place so that it would not disappear again. The chosen location was next to the Prószków Castle, where a primary and secondary school was located at the time. However, the Provincial Conservator of Monuments in Opole ordered that the cross be returned to its place or handed over to the museum in Prudnik. Komarnicki did not want to agree to this. Eventually, the commotion subsided, and the cross did not change its location until the castle was taken over by a new owner – the company "Moda Polska". The object began to be renovated, and the construction crew wanted to use the cross as building material. It was managed to be saved again, though not without losses: the cross was broken into two parts. Fearing destruction, it was then moved to the intersection of today's streets: Opolskiej and Moniuszki. It stood there until one of the broken parts disappeared. The missing part was found at the municipal landfill. Then, the local stonemason master Jan Gacki took up the renovation of the cross, joining the two broken parts. In this way, this stone cross was saved for the third time and moved again under the castle wall, where it stands to this day. Next to the cross, on a granite slab, there is a barely visible inscription "PENITENTIAL CROSS, 16TH C., CARE BTKO". The second cross is located at the intersection of Szynowice and Opolskiej streets, under a votive cross, surrounded by white pebbles and enclosed by a low metal fence. According to folk legends, a crime occurred at this spot where a merchant died while going to the market in Biała. The cross has a broken arm – it was probably a sign for travelers about the plague that raged in Biała in 1633. Its dimensions are: 80 cm (height), 45 cm (arm span), 18 cm (thickness).

From the 13th century, Biała was the seat of a castellany. The current brick castle was built in the Renaissance style, probably on the initiative of the Opole line of the Piasts before 1532. Originally, it had two single-tract wings - the current eastern and southern ones - which enclosed a small courtyard and had semicircular arcades on that side. From 1564, it belonged to the Prószkowscy family, first as a pledge, and from 1606 as their property. Around 1640, the Prószkowscy family expanded the complex in the Baroque style, adding a new double-tract wing from the west, with a tower built on its corner. In this form, only renovated, it has survived to this day. In 1747, Antoni Prószkowski's widow sold the castle and estates to Bartłomiej Oderfeld, and after nine years, it came into the hands of Rudolf Matuschek from Bohemia. The next owner from 1841 was Ferdinand Rudolf von Gersdorff. In 1872, the castle became the property of the town and from 1878, for the next half-century, it was used for educational purposes, housing a teacher training college. In the 19th century, during a renovation, the arcades were bricked up, creating an additional communication corridor along the 16th-century wings. After World War II, the buildings were used as warehouses for the Moda Polska company, and since the end of the 20th century, they have not been in use. Unfortunately, it is falling into ruin.