The best MTB trails around Aguiar De Sousa

Quintandona waterfall

You can enjoy some good ham sandwiches accompanied by a nice cold beer.

Religious architecture, dating from the 17th, 19th, and 20th centuries. Rectangular parish church composed of a nave and chancel, with sacristy and bell tower, having two transept arms added at the end of the 20th century. It has interior wooden roofs, gabled and with beams in the nave and coffered ceilings in the chancel, sparsely illuminated by windows in the right side facade of the chancel body. It has a 20th-century bell tower, with three registers and round-arched windows. Main facade with a gable, with three axes of openings, composed of a portal and two large windows, all rectilinear. Facades with pilastered quoins and concrete frieze finishes. Interior with a high choir resting on stone corbels, accessed from the annex, with side chapels and facing pulpits. A triumphal arch with a perfect vault, resting on Tuscan piastras, flanked by Mannerist carved altarpieces. Chancel with a central stepped platform, where the main altarpiece stands, reusing elements of Mannerist carving. A church of 17th-century foundation, of which the original structure and some openings in the sash form are maintained, profoundly remodeled in the 20th century, with the construction of the annexes, the transept, and the creation of the bell tower, this one quite tall, with three registers. The main façade and the bell tower are covered with patterned tiles. Inside, the side altarpieces, of erudite Mannerist structure, stand out, profoundly altered with the 20th-century restoration, with the reform of the finialço and the execution of new altar tables. The Epistle side altarpiece, dedicated to Our Lady of Fatima, stands out for its high-quality carving. It retains its preparatory layer and, through its structure and decorative grammar, reveals a transitional style, datable to the late 18th and early 19th centuries. It features profuse phytomorphic decoration, a scalloped back panel, but also includes urns at the top of the Corinthian columns, adorned with festoons, revealing Neoclassical elements. The main altarpiece, recently gilded, showcases the use of twisted columns, a late 17th-century style, with archivolts in a national Baroque style altarpiece structure. Also noteworthy is the Crucified altarpiece, a Neo-Baroque revivalist piece with a concave structure, possessing several Neoclassical influences, notably the urns at the top and the faux marble effect on the columns.

It is the abundant and varied landscape that most impresses in Couce, a village in Valongo bathed by the Ferreira River and located between two mountain ranges, Santa Justa and Pias. In this part of the Porto district, the houses beg to be photographed with their ancient stone walls, showcasing the most typical and traditional aspects of the genuine Portuguese rural architectural tradition, and the cobbled paths invite slow walks, allowing one to identify, here and there, the marks of the past left in constructions with quartzite blocks from the local mining and schist exploitation. The irregular walls and fences of the village fascinate the visitor with this particular configuration, resulting from the use of materials that were applied in the constructions as they were collected directly from nature, without prior treatment. In this analysis of the genuineness of Couce's architecture, however, there are other works that deserve attention, the oldest of which is the Roman bridge that persists in the village, almost intact, since the territory was occupied by explorers of the Italian empire. From a much more recent period is the village chapel, as well as its haystacks, which have served as support for the community's agricultural activities, and its threshing floors, which function as a space for socializing among the population, who threshed corn there and shared news from the land. These habits and customs encourage discovering more of the surrounding landscape, motivating walks along the green and cool banks of the Ferreira River, where it is still possible to imagine how the nooks and crannies of Couce led the Romans and their slaves to settle in the area. From those times, moreover, remains the housing layout that is still identified in this Village of Portugal, with the houses very close to each other, so that, in the context of the geographical isolation of the village, the residents could better defend themselves in case of external threats.

Abandoned and forgotten, they were easy prey for the relentless and merciless action of natural elements, accelerated by the plundering to which they were subjected. Their architecture became disfigured, and some collapsed.

Possibly the best view in the region. A steep hike up is well worth it.

The Ferreira River is a tributary of the Tâmega River in northern Portugal. Its course runs through valleys and rural landscapes, also powering some small hydroelectric power plants. Here you can cycle in complete tranquility immersed in nature.

It has great climbing walls with some roofs and many routes, a spectacular place to climb