The best road cycling routes around Neuvy-Sur-Barangeon

The church consists of two successive rectangles, formerly covered by a wooden barrel vault with exposed beams. The very prominent buttresses of the nave, doubled at the corners, date the construction to the 12th or 13th centuries. The bell tower is supported by internal timbers near the central gable. A document from 1489 informs us that at that time, the church of Sainte Montaine was in need of extensive repairs. The bell tower had to be rebuilt, perhaps following a fire. The current bell tower therefore dates from this period. The western door is also from the 15th century. Its leaves are adorned with nails of remarkable craftsmanship. The nave was surrounded to the north and west by a wooden porch, similar to that of Brinon, but of more refined and delicate workmanship. This extension, which serves as a hall and narthex, is called a "caquetoire" in the Sologne region. It dated back to the 16th century and was demolished during the years 1918/1919. The furnishings are very important in both quantity and quality. Among the 18th-century liturgical vestments are two dalmatics and an 18th-century pastoral stole. There is also a 16th-century statue of the Virgin Mary and a 17th-century statue of Saint Germain, a 17th-century painting of the miracle of Saint Montaine, and a 17th-century processional cross of Christ on the Cross.

The church was built in the 13th century and is dedicated to Saint Martin (the same patron saint as the church in Aubigny-sur-Nère). Only the apse and the base of the La Faye family's private chapel remain. The nave and vault date from the 15th century, while the bell tower dates from the 19th century.

A first building was erected at the end of the 13th century, dedicated to Saint Caprais. This church was built on the initiative of Abbot Pezard (1859-1937), parish priest from 1892 to 1937, to replace the old ruined sanctuary.

12th century, 16th century, 1733, in the shape of a false Latin cross. Of the 12th-century church, only the three-sided apse remains; everything else was either rebuilt or heavily restored in the 16th century and in 1723. The small bell was christened on October 20, 1710. The large bell was christened on August 31, 1718.

Souesmes must have had some importance towards the end of the 8th century since during the division of the archbishopric of Bourges into archdeaconries themselves divided into archpriests, the priest of Souesmes received the title and function of archpriest. This archpriesthood included 32 parishes, all located to the east of Souesmes (except Salbris). It extended as far as the Loire to the northeast and to Boisbelle (Henrichemont) to the southeast as recalled by the table drawn up by Canon Augustin Petit, priest of Souesmes from 1892 to 1948, according to documents found in the archbishopric of Bourges. This table is still in place at the entrance to the church. The left side of the choir of the church of Souesmes is placed under the protection of Saint Julien, beheaded in Brioude around the year 304. The original building was no longer sufficient for the development of worship, which is why a larger Romanesque-style church was built on the same site during the Carolingian era. The walls of the nave bear witness to this period, the six windows being very small at the time. Carolingian terracotta modillions found in the walls during work in the 19th century allow us to date the period of construction of the walls. One of the modillions is in the Museum of Religious Art in Blois and two others, owned by SAHAS, are in the Marcel de Marchéville Archaeological Museum in Romorantin-Lanthenay (article by Joëlle Fallot - Jean-Marie Lorain published in the booklet "Souesmes heritage in your commune" produced by the departmental committee for heritage and archaeology in Loir-et-Cher and the municipality of Souesmes with the assistance of the general council of Loir-et-Cher).

Garden created in the 1930s, on the former grounds of a Benedictine abbey, in an "Art Deco" style by Eugène-Henry Karcher, with the presence of industrial materials of the time, concrete, steel and ceramic, on an area of 6000m² between the Berry canal and the Yèvre.

It will be impossible for you to miss the Saint-Palais church with its seemingly endless bell tower, unless you don't look up from your handlebars. For the record, it is in the town of Saint-Palais, at a place called Les Combles, that the center of the great big circle that can be drawn in continental France is located. It is therefore the furthest place, precisely 291.3 kilometers, from any border.

If you are looking for a city with rich history, beautiful environment and vibrant culture, you should visit Vierzon. It is located at the confluence of five rivers, including the Yèvre and the Cher, and is surrounded by a magnificent forest of 7,500 hectares. You can discover the heritage of Vierzon by visiting its museums, such as the Vierzon Museum, which presents the arts of fire and ceramics, or the Museum of Agricultural Machinery and Rurality, which presents agricultural machinery and rural life. You can also enjoy cultural events and festivals that take place throughout the year, such as Flower Power Week in October or the Jazz Festival in June. Vierzon is also an important railway hub, connecting Lyon, Nantes, Paris, Limoges and Toulouse, allowing you to travel to other destinations easily. Vierzon is a town that will surprise you with its charm and diversity.