Attractions and Places To See around Ruan-Sur-Egvonne - Top 18

Avoid the national road, very busy

Placed under the patronage of Saint Hilaire, this parish was given by Gannelon de Montigny, lord of the place, to the abbey of Marmoutier around 1042. Its reconstruction probably dates from this period; it then became a priory. The church has a rectangular nave ending in a choir with a flat chevet. An examination of the masonry easily reveals two distinct periods of construction: the Romanesque period and the Renaissance. Built of flint rubble with rendering, the western part of the building appears to date from the 11th or 12th century. A limestone cornice supported by rather crude corbels underlines the base of the roof. To the south, two narrow Romanesque windows flared inwards light the nave. To the north, the bays were later reworked and enlarged. On this same side, a Romanesque doorway was walled up; It allowed the church to connect with a building whose traces of detachment remain. The bell tower was built to the north of the Romanesque nave, extending the western façade. The absence of a connection between the east and west walls of the bell tower and the north wall of the nave clearly indicates that it is an entirely later construction. However, its crowning is much later, as evidenced by its cornice, whose molding is in the classical style. Flanked by obliquely angled buttresses, it is covered with a saddleback roof. The eastern half of the church appears to be an extension built during the Renaissance period. Its ogee-shaped cornice and the decoration of the eastern gable, as well as the moldings of the buttress bands, attest to this dating. A vast rectangular choir then appears to have replaced a semicircular Romanesque apse; the eastern gable and the southern and northern façades were then pierced with networked bays. In the lower part of the north façade, projecting ashlars appear to have supported the roof of a lean-to building. To the south, a sacristy was built in the 19th century. Inside, the entire building is covered with a paneled vault with exposed tie beams and kingposts. The 18th-century high altar is surmounted by an Assumption of the Virgin inspired by Murillo's. For the restoration of the roofs and façades, the Sauvegarde de l'Art Français (French National Art Protection Agency) awarded a grant of €30,490 in 2001.

Before the 13th century there were two parishes, Saint-Sauveur and Saint-Gilles, in 1300 the bishop of Chartres united them into one by a charter of Berchères, because of the smallness of the two parishes. The church dates from the beginning of the 17th century. Rebuilt on the foundations of an old Romanesque church, its originality comes from its bell tower with saddle roof, its caquetoire and its paneled vault redone in 2003. At the initiative of the Prince Duke of Montmorency-Laval, it has contained the reliquary of Sainte-Félicité since 1838. Saint Félicité, whose relics are in Montigny-le-Gannelon, is a martyr whose life is unknown, whose body was taken from the sacred cemeteries of Rome. We have his body, the skull, the bones of his arms, fingers and feet. They were removed from the Saint-Cyriaque cemetery in 1828 and placed in their respective places on a body artistically modeled in wax and measuring more than 1.40 meters in length. A magnificent chase, of the shape and size of an altar tomb, all furnished with glazing and embellished with gilding received this precious deposit. Pope Leo XII donated it to the Duke of Laval, then Charles X's ambassador to Rome. On his death, he bequeathed it by will to the church of Montigny-le-Gannelon where the old historic castle of Laval-Montmorency is located. The venerated hunt is now placed under the main altar of which it forms the tomb.

Almost nothing is reliably known about the life of Saint George (Saint-GEORGES), to whom the church of Cloyes-sur-le-Loir was dedicated, but the veneration of his person goes back to early Christianity. A martyr identified with George is said to have lived in the third century. However, the legend of St. George as a dragon slayer is well known and widespread; he is usually depicted - in paintings or as a statue - as the conqueror of the monster, often as a knight on horseback. The memorial day of the very popular George - he is, among other things, patron of the English kingdom - in the calendar of saints is April 23rd.

This church in Romilly-sur-Aigre was dedicated to Saint Peter (Saint Pierre). Simon, nicknamed Peter (Rock), was a fisherman on the Sea of Galilee when he - together with his brother Andrew - was called by Jesus Christ to be "fishers of men". According to Catholic understanding, he is the supreme apostle, and the two millennia-long line of popes - currently Francis - are his successor. On statues and paintings, Peter is almost always depicted with two keys in his hand; this attribute refers to the biblical saying in Matthew: “I will give you the keys of the kingdom of heaven; Whatever you bind on earth will be bound in heaven, and whatever you loose on earth will be loosed in heaven” (Chapter 16, verse 19). Peter and Paul are also known as the “Princes of the Apostles”; their common feast day in the saints' calendar is June 29th.

At the end of the 15th century, a first construction project made it possible to rebuild this church dedicated to Saint Peter. The current building consists of a nave, a choir bay and a three-sided apse. The bell tower was probably built at the beginning of the 20th century. The peculiarity of this building lies above all in the facade framed by two corner towers from the 18th century. Inside the porch, on the ground floor, you can still admire the old 16th-century gabled gate and two large western Gothic bay windows. Source: https://www.sauvegardeartfrancais.fr/projets/romilly-sur-aigre-eglise-saint-pierre/

Very pleasant walk

The house of La Rochefoucauld is one of the oldest families of the French nobility. In 1863, the Duke of La Rochefoucauld undertook the construction of a magnificent castle in the middle of the forest of Gaudinière. The castle was bought in the early 1920s by a wealthy Armenian merchant from New York, who wanted to organize a reception center for orphans from Armenia. Chance made that this castle was chosen, and transformed to accommodate a hundred children. After long and expensive development work, the center worked in good harmony with the surroundings, including the village of Ville aux Clercs. The estate created its own resources and even provided a profession for the accommodated teenagers. The castle experienced several fire alerts at the end of the 1920s. On Saturday November 17, 1934, around 9:30 am, an employee of the estate saw smoke emanating from the roof on the northeast side. Firefighters from neighboring towns rushed to the scene. They could not contain the fire, but a lot of furniture, and objects were saved from the disaster. The investigation concluded that there was a short circuit in the attic. The residents were housed in the redeveloped outbuildings, but their situation could not last like this. The New York patron, after two years of study and reflection, preferred to shift his efforts to the Armenian communities in Greece, and more recently in 1991 in Syria and Lebanon. The domain was then sold for a few thousand Francs between the years 1937 and 1938. It is a company, a subsidiary of the "Mines de Lens" in the north of France which bought the entire domain to reforest it, in order to s '' supply mine poles. The ruins were then demolished, dispersed, even looted.